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QUINCE Here is the scroll of every man's name, which is thought fit, through all Athens, to play in our interlude before the duke and the duchess, on his wedding-day at night.
Now, good Peter Quince, call forth your actors by the scroll. Masters, spread yourselves. Nick Bottom, the weaver. Name what part I am for, and proceed. To the rest: yet my chief humour is for a tyrant: I could play Ercles rarely, or a part to tear a cat in, to make all split. This was lofty! Now name the rest of the players.
This is Ercles' vein, a tyrant's vein; a lover is more condoling. Tom Snout, the tinker. SNUG Have you the lion's part written? ALL That would hang us, every mother's son. BOTTOM I grant you, friends, if that you should fright the ladies out of their wits, they would have no more discretion but to hang us: but I will aggravate my voice so that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale.
QUINCE You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely gentleman-like man: therefore you must needs play Pyramus. What beard were I best to play it in? BOTTOM I will discharge it in either your straw-colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow.
But, masters, here are your parts: and I am to entreat you, request you and desire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse, for if we meet in the city, we shall be dogged with company, and our devices known.
In the meantime I will draw a bill of properties, such as our play wants. I pray you, fail me not. Take pains; be perfect: adieu. A wood near Athens. Fairy Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander everywhere, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green.
The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here And hang a pearl in every cowslip's ear. Farewell, thou lob of spirits; I'll be gone: Our queen and all our elves come here anon. PUCK The king doth keep his revels here to-night: Take heed the queen come not within his sight; For Oberon is passing fell and wrath, Because that she as her attendant hath A lovely boy, stolen from an Indian king; She never had so sweet a changeling; And jealous Oberon would have the child Knight of his train, to trace the forests wild; But she perforce withholds the loved boy, Crowns him with flowers and makes him all her joy: And now they never meet in grove or green, By fountain clear, or spangled starlight sheen, But, they do square, that all their elves for fear Creep into acorn-cups and hide them there.
Fairy Either I mistake your shape and making quite, Or else you are that shrewd and knavish sprite Call'd Robin Goodfellow: are not you he That frights the maidens of the villagery; Skim milk, and sometimes labour in the quern And bootless make the breathless housewife churn; And sometime make the drink to bear no barm; Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you and sweet Puck, You do their work, and they shall have good luck: Are not you he? I jest to Oberon and make him smile When I a fat and bean-fed horse beguile, Neighing in likeness of a filly foal: And sometime lurk I in a gossip's bowl, In very likeness of a roasted crab, And when she drinks, against her lips I bob And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale, Sometime for three-foot stool mistaketh me; Then slip I from her bum, down topples she, And 'tailor' cries, and falls into a cough; And then the whole quire hold their hips and laugh, And waxen in their mirth and neeze and swear A merrier hour was never wasted there.
But, room, fairy! Fairy And here my mistress. Would that he were gone! Sing me now asleep; Then to your offices and let me rest. The Fairies sing. The wood. This green plot shall be our stage, this hawthorn-brake our tiring-house; and we will do it in action as we will do it before the duke. First, Pyramus must draw a sword to kill himself; which the ladies cannot abide. How answer you that? Write me a prologue; and let the prologue seem to say, we will do no harm with our swords, and that Pyramus is not killed indeed; and, for the more better assurance, tell them that I, Pyramus, am not Pyramus, but Bottom the weaver: this will put them out of fear.
BOTTOM Nay, you must name his name, and half his face must be seen through the lion's neck: and he himself must speak through, saying thus, or to the same defect,--'Ladies,'--or 'Fair-ladies--I would wish You,'--or 'I would request you,'--or 'I would entreat you,--not to fear, not to tremble: my life for yours. If you think I come hither as a lion, it were pity of my life: no I am no such thing; I am a man as other men are;' and there indeed let him name his name, and tell them plainly he is Snug the joiner.
But there is two hard things; that is, to bring the moonlight into a chamber; for, you know, Pyramus and Thisby meet by moonlight. BOTTOM Why, then may you leave a casement of the great chamber window, where we play, open, and the moon may shine in at the casement. QUINCE Ay; or else one must come in with a bush of thorns and a lanthorn, and say he comes to disfigure, or to present, the person of Moonshine.
Then, there is another thing: we must have a wall in the great chamber; for Pyramus and Thisby says the story, did talk through the chink of a wall.
What say you, Bottom? BOTTOM Some man or other must present Wall: and let him have some plaster, or some loam, or some rough-cast about him, to signify wall; and let him hold his fingers thus, and through that cranny shall Pyramus and Thisby whisper. Come, sit down, every mother's son, and rehearse your parts.
Pyramus, you begin: when you have spoken your speech, enter into that brake: and so every one according to his cue. Enter PUCK behind. Enter PUCK. The same. Out of doubt he is transported. Enter SNUG. Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear!
A Man Needs A Maid testo
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QUINCE Here is the scroll of every man's name, which is thought fit, through all Athens, to play in our interlude before the duke and the duchess, on his wedding-day at night. Now, good Peter Quince, call forth your actors by the scroll. Masters, spread yourselves. Nick Bottom, the weaver.
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Songstube is against piracy and promotes safe and legal music downloading on Amazon. Music and lyrics on this site are for the sole use of educational reference and are the property of respective authors, artists and labels. If you like the sound of the Artists on this site, please buy their songs on Amazon follow the link above to support them. All other uses are in violation of international copyright laws.
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